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  <title>Baldur Bjarnason's Notes on the Web</title>
  <subtitle>Everything from www.baldurbjarnason.com</subtitle>
  <link href="https://feedpress.me/baldurbjarnason" rel="self">https://www.baldurbjarnason.com/</link>
  <link href="https://www.baldurbjarnason.com/"/>
  <updated>2026-07-20T11:15:00Z</updated>
  <id>https://www.baldurbjarnason.com/</id>
  <author>
    <name>Baldur Bjarnason</name>
  </author>
  <entry>
    <title>Long-delayed summer 2026 photos</title>
    <link href="https://www.baldurbjarnason.com/notes/photos/long-delayed-summer-2026-photos/"/>
    <updated>2026-07-20T11:15:00Z</updated>
    <id>https://www.baldurbjarnason.com/notes/photos/long-delayed-summer-2026-photos/</id>
    <content type="html"><![CDATA[<p>I’ve been lax in posting my photos here. So here you have about two months’ worth of pictures from around Hveragerði. It’s a lot. I apologise in advance.</p>
<img src="https://www.baldurbjarnason.com/img/z6CvVSaEnS-2400.jpeg" alt="A black and white photo of a blackbird launching into flight as a teen on a scooter rides past. We see part of a tractor in the foreground." width="2400" height="3200">
<img src="https://www.baldurbjarnason.com/img/s9eb82yMJi-3200.jpeg" alt="The corner window at the local cat shelter. On the left side is a distracted ginger cat. On the right side is a very serious looking grey and white tabby" class="PrimaryImage" width="3200" height="2133">
<p>Since I’m guessing many of you have had a somewhat stressful day like I did, here are a few photos of a redwing out and about doing its thing.</p>
<img src="https://www.baldurbjarnason.com/img/a-6rJGJsbj-2400.jpeg" alt="That redwing on a pile of wood chips with a grub or small insect in its mouth." width="2400" height="3200">
<img src="https://www.baldurbjarnason.com/img/Q22m15Wnzb-2400.jpeg" alt="A motion-blurred redwing running across gravel with an insect in its mouth." width="2400" height="3200">
<img src="https://www.baldurbjarnason.com/img/iMukwsnhs_-2400.jpeg" alt="A redwing, a small orange-brown bird with a bit of red on its wings, stands by a path with a worm in its beak." width="2400" height="3200">
<img src="https://www.baldurbjarnason.com/img/y-RnHvp7L0-2400.jpeg" alt="A black and white cat by a pallet." width="2400" height="3200">
<p>I’m getting a little bit more comfortable with saturated colours in my photographs.</p>
<img src="https://www.baldurbjarnason.com/img/YjtyOkCsYL-2400.jpeg" alt="The geothermal area at the root of Hverfjall. Yellow flowers in the foreground. A mountain in the background. Steam rising in-between." width="2400" height="3200">
<img src="https://www.baldurbjarnason.com/img/Ra6pLhC8SO-3200.jpeg" alt="The greenhouses of the local horticultural/agricultural school" class="PrimaryImage" width="3200" height="2133">
<img src="https://www.baldurbjarnason.com/img/1YzqeHIfUc-3200.jpeg" alt="Spruce trees grow in the mountain." class="PrimaryImage" width="3200" height="2133">
<img src="https://www.baldurbjarnason.com/img/RbLRDrwSel-3200.jpeg" alt="A view of Hveragerði town from the roots of Hverfjall mountain. You can see trees, mountains, and a blue sky" class="PrimaryImage" width="3200" height="2133">
<p>This common redshank was very dissatisfied with my presence, which most likely means the nest was nearby</p>
<img src="https://www.baldurbjarnason.com/img/lmxO3wF1jt-2400.jpeg" alt="A small bird with a two-coloured beak staring down the photographer while near some grass" width="2400" height="3200">
<img src="https://www.baldurbjarnason.com/img/Ay3jQk9uI1-2400.jpeg" alt="That same bird staring down the photographer while on a gravel path" width="2400" height="3200">
<p>Bonus horsie.</p>
<img src="https://www.baldurbjarnason.com/img/ZM7fEj4YT_-2400.jpeg" alt="Horse in a field. Behind it is a line of trees." width="2400" height="3200">
<p>Horse doing horsie things.</p>
<img src="https://www.baldurbjarnason.com/img/LpL29y2adb-3200.jpeg" alt="A brown horse grazing in a field. Behind it we can see a fence and beyond the fence are trees." class="PrimaryImage" width="3200" height="2400">
<img src="https://www.baldurbjarnason.com/img/PWcaJbNJ9a-2133.jpeg" alt="A ditch filled with sunflowers leading to a tree, in the distance we see power pylons on a mountain" width="2133" height="3200">
<img src="https://www.baldurbjarnason.com/img/OXRQ06DEVR-2400.jpeg" alt="Black and white photo of a redwing bird on a barbedwire fence separating us from a geothermal field." width="2400" height="3200">
<p>So, this is Gríma. She lives next to the spot of grass that serves double duty as the town official football field and the overflow for the local campsite on busy days in the summer.</p>
<img src="https://www.baldurbjarnason.com/img/dBfhkP814r-2133.jpeg" alt="A tortoiseshell cat sitting on a lawn staring at the photographer" width="2133" height="3200">
<p>Don’t know this dog’s name but it seemed to be having a good day.</p>
<img src="https://www.baldurbjarnason.com/img/l_vWOk-GG_-3200.jpeg" alt="A colour photo of a black and white dog lying in some grass." class="PrimaryImage" width="3200" height="2400">
<p>Big yawn.</p>
<img src="https://www.baldurbjarnason.com/img/EADTkiOyfH-3200.jpeg" alt="A cat stretching out on its back on asphalt and yawning." class="PrimaryImage" width="3200" height="2400">
<p>This hen was out and about earlier this week.</p>
<img src="https://www.baldurbjarnason.com/img/-GGiG7Py9d-2400.jpeg" alt="Seen under a thick tree branch, a hen stands between two dandelions and stares at the photographer." width="2400" height="3200">
<p>This blackbird had its beak full of worms and insects. It had to do that thing where you stop in your tracks and shuffle things around a bit so as to not drop your groceries.</p>
<img src="https://www.baldurbjarnason.com/img/1yVYAPV4pR-2400.jpeg" alt="A blackbird in the middle of a lawn, head down, getting a grip on some invertebrates." width="2400" height="3200">
<p>So this used to be the power station for a wool mill back before there was even a town here in Hveragerði.</p>
<img src="https://www.baldurbjarnason.com/img/5tUTyhLCK3-2133.jpeg" alt="A ruined house, now just brick walls with no roof, built next to a river. The banks of the river are covered with greenery." width="2133" height="3200">
<img src="https://www.baldurbjarnason.com/img/tLXduKELzT-3200.jpeg" alt="That same house from a different angle. Now you see the steps in the path that runs along its side." class="PrimaryImage" width="3200" height="2133">
<img src="https://www.baldurbjarnason.com/img/9bk-EEGfNi-3200.jpeg" alt="We see a small house by a river, only the walls remaining. Grass is growing around it." class="PrimaryImage" width="3200" height="2133">
<p>Common redshanks very vocally object to your presence in their territory.</p>
<img src="https://www.baldurbjarnason.com/img/yeNfXlAWzq-2133.jpeg" alt="A common redshank, a smallish wading bird, perches on a fence post and objects to the photographer" width="2133" height="3200">
<p>The horses were surrounded by a beautiful landscape and a mass of flies. And a bunch of starlings, young and old, snacking on the flies.</p>
<img src="https://www.baldurbjarnason.com/img/U65pmCL4HI-3200.jpeg" alt="A small herd of horses in a field. Buttercup flowers dot the field and you can see trees in the distance." class="PrimaryImage" width="3200" height="2133">
<img src="https://www.baldurbjarnason.com/img/CTBdRr4e6--2400.jpeg" alt="A horse lying in a field. A starling perches on its back" width="2400" height="3200">
<img src="https://www.baldurbjarnason.com/img/WuDQ60ckuK-2133.jpeg" alt="We see the rumps of two horses and a starling passenger" width="2133" height="3200">
<img src="https://www.baldurbjarnason.com/img/gS94BSLvEP-2400.jpeg" alt="Two horses and now we can clearly see the cloud of flies." width="2400" height="3200">
<p>Another one for the “bird on a fence post” files. This time a starling.</p>
<img src="https://www.baldurbjarnason.com/img/fnIbOxLwDt-2400.jpeg" alt="A black and white photo of a starling on a fence post." width="2400" height="3200">
<p>So, when the weather is nice my neighbour Grása, this longhaired grey and white cat, likes to nap outside in the overgrown grass by one of the trees in the garden.</p>
<img src="https://www.baldurbjarnason.com/img/l0w82Hr0sZ-2133.jpeg" alt="Seen from above, a cat is sleeping in some grass" width="2133" height="3200">
<img src="https://www.baldurbjarnason.com/img/tan466Gv4S-2133.jpeg" alt="The cat has woken up and is looking at the photographer. She later went back to napping." width="2133" height="3200">
<p>My walks and Grása’s have been crossing paths lately.</p>
<img src="https://www.baldurbjarnason.com/img/UWUEIEzSKq-2134.jpeg" alt="A black and white photo of a grey and white cat standing on the pavement and looking to the side" width="2134" height="3200">
<img src="https://www.baldurbjarnason.com/img/_kfPadf-Gh-2133.jpeg" alt="Grása, a long-haired grey and white cat, walks past some wild flowers growing next to the pavement." width="2133" height="3200">
<p>Goldcrests are the smallest and shiest birds we have here in Iceland. I managed to spot some movement, couldn’t see clearly even when zoomed in, but after cropping in on the extreme zoom, lo and behold, a goldcrest.</p>
<img src="https://www.baldurbjarnason.com/img/puSKfnyNOB-3200.jpeg" alt="The goldcrest is a tiny yellow bird. Here it is perched on a branch surrounded by green leaves" class="PrimaryImage" width="3200" height="2400">
<img src="https://www.baldurbjarnason.com/img/cjipXpG1z_-2400.jpeg" alt="The goldcrest again. In the same tree but on a different branch. Even though I was quite a way away, it was still staring at the photographer" width="2400" height="3200">
<img src="https://www.baldurbjarnason.com/img/gKt0QFYk_O-2133.jpeg" alt="Still wary of the photographer. Still in the same tree." width="2133" height="3200">
<img src="https://www.baldurbjarnason.com/img/cJpUkSPnmX-2133.jpeg" alt="This one of the goldcrest again emphasises the circular pattern of the branches that frame the goldcrest." width="2133" height="3200">
<img src="https://www.baldurbjarnason.com/img/0rFXnfYqco-2133.jpeg" alt="It really is a small yellow and wary bird." width="2133" height="3200">
<p>This here is here is a bird called “Jaðrakan” in Icelandic or the black-tailed godwit in English. There’s a pair that seems to nest every year somewhere between the golf course and the horticultural school.</p>
<img src="https://www.baldurbjarnason.com/img/o5_TxA3ys1-2400.jpeg" alt="A long-billed orange wading bird in the middle of a field of grass filled with flowers that are (mostly) native to Iceland" width="2400" height="3200">
<img src="https://www.baldurbjarnason.com/img/4Ue6ztd_XQ-3200.jpeg" alt="Now bored, this godwit is flying away" class="PrimaryImage" width="3200" height="2133">
<img src="https://www.baldurbjarnason.com/img/6gso_Y0nRo-2133.jpeg" alt="A photo of fog over a field with a couple of lone trees and a bench. In the background we see the roots of a mountain." width="2133" height="3200">
<p>Foggy pasture.</p>
<img src="https://www.baldurbjarnason.com/img/xqMID9dmk9-2133.jpeg" alt="A ditch in a green pasture. A bit of mist lies over everything. Yellow buttercup flowers have overgrown the ditch." width="2133" height="3200">
<p>The model today is my neighbour Lukka, a very friendly black and white cat.</p>
<img src="https://www.baldurbjarnason.com/img/BSqCkBiNjb-3000.jpeg" alt="Lukka, a black and white 'tuxedo' patterned cat on a fence looking very intent." width="3000" height="4000">
]]></content>
  </entry>
  <entry>
    <title>Experiments with media (or, iterating towards a podcast, maybe?)</title>
    <link href="https://www.baldurbjarnason.com/2026/experiments-with-media/"/>
    <updated>2026-07-19T10:45:30Z</updated>
    <id>https://www.baldurbjarnason.com/2026/experiments-with-media/</id>
    <content type="html"><![CDATA[<p>I’ve been relatively silent over the past few months. This has mostly been for personal reasons, but the overall anxiety in both society and in the field of tech, specifically, has been a part of it.</p>
<p>Despite people’s common superstitions about the creative process, the tortured artist isn’t very productive and even a mild anxiety or burnout can throw much of your process into a tailspin.</p>
<p>But I have been thinking.</p>
<p>I’ve regularly noted that writing and text has lost its primacy as an information medium. The internet extended its life but, as Neil Postman and others noted in the 80s, “text” as a medium has not had a central role in our societies for decades at this point.</p>
<p>It’s for this reason that I’ve been, semi-regularly, brushing up on my very rusty media skills (I actually did a stint at film school and worked in TV and radio in my early twenties) and <a href="https://www.youtube.com/@BaldurBjarnason">trying my hand at video</a>.</p>
<p>I’ve finally gotten around to continuing those experiments but the break was useful in one regard:</p>
<p>Time to think gives you time to think.</p>
<p>(It may seem facetious to say something so obvious but sometimes you get so stuck inside your own head that you don’t <em>see</em> the obvious and stumbling on it becomes a genuine insight.)</p>
<p>My basic idea is that, for now, audio on it’s own is a better fit for somebody like me whose work is so heavy on prose.</p>
<p>There’s a reason why we have audiobooks but “videobooks” only exist as movies with multimillion dollar budgets. Audio matches many of the constraints of text as a medium. On its own it’s edited more like text than video. It’s more work than text but much less work on its own than video.</p>
<p>So, as a step towards expanding my media “footprint” I’ve been doing a few audio experiments with an eye towards podcasts.</p>
<p>I haven’t ruled out doing more video at some point, but if I decide to go in that direction then audio is likely to work as a useful foundation.</p>
<p>But I’ve resisted doing podcasts in the past for a very good reason:</p>
<p>I find them incredibly boring and tedious <em>as a listener</em>.</p>
<p>Dudes chatting aimlessly about a topic for a couple of hours, barely bothering to edit it down. It all seems targeted at the same demographic as live talk radio, except with even less charm and structure.</p>
<p>There are great podcasts, but they are usually the result of more work than just gathering a bunch of guys together on Zencastr. Sometimes its interviews. Sometimes it’s just a slightly more interesting group of people. Sometimes it’s more produced.</p>
<p>So, I’m working on a few ideas and on my processes. I’ve got an idea for a conversation/interview podcast but I’m also thinking about a format that tries to take a simple audio column and make it marginally more interesting.</p>
<p>None of this is working well at the moment but what follows is the first experiment that’s showing a bit more of a cohesive shape than my earlier ones.</p>
<p>It still isn’t quite working, but it’s starting to get interesting.</p>
<p>I wanted to test a few things in this experiment:</p>
<ul>
<li>Whether a more vivid environment in the audio would help or hinder the message.</li>
<li>Would an unscripted but heavily edited in post episode result in a cohesive argument and a more “natural” sounding recording?</li>
<li>Would the basic technology work? (Microphones. Recorder. Wind protection.)</li>
<li>Would editing work on Linux? (Important for my workflow that I don’t have to boot up into Windows for work.)</li>
<li>How much work would it be to create accurate transcripts or captions (I may not be doing video but I could still upload audio as video)?</li>
</ul>
<p>I think the results are mixed. I personally like hearing more of the environment, but the unscripted “stream of consciousness” argument ended up being unwieldy and the end result doesn’t quite work as well as I liked. The technology worked quite well. Editing on Linux was a doddle. <a href="https://www.reaper.fm/">Reaper</a> worked quite well. It has a bit of a learning curve, as any media production app does, but after watching a few tutorials I found that it’s clearly designed with an understanding of the work people do with it. The transcripts turned out to be a lot of work, even with the help of <a href="https://alphacephei.com/vosk/">one of the less offensive transcription models</a> my pronunciation and accent regularly caused problems.</p>
<p>I’m not going to set up a podcast feed for this yet, not until I’ve got a better handle on the approach and format for this, but I will continue with the experiments until I settle on something.</p>
<p>I think for my next experiment I’ll try for something more scripted or even fully scripted. A fully scripted one would simplify transcription. I might try a different microphone. There are a few other aspects of this that I might change or adjust. But you can listen to the first experiment below and hear for yourself.</p>
<p>It’s only ten minutes or so.</p>
<p>And a transcript follows below that.</p>
<hr>
<figure class="Audio">
  <figcaption>Listen to the podcast experiment:</figcaption>
  <audio controls="" src="https://www.baldurbjarnason.com/audio/podcast-experiment-1.mp3"></audio>
  <a href="https://www.baldurbjarnason.com/audio/podcast-experiment-1.mp3"> Download audio </a>
</figure>
<hr>
<h2 id="transcript-lightly-edited-for-clarity" tabindex="-1">Transcript (lightly edited for clarity) <a class="header-anchor" href="https://www.baldurbjarnason.com/2026/experiments-with-media/#transcript-lightly-edited-for-clarity">#</a></h2>
<p>My name is Baldur Bjarnason. I work at the cross section between tech</p>
<p>and publishing and have been writing about it for over twenty five years. This is a podcast that is a bit of an experiment. As in, it’s unscripted but will be edited before publishing and the idea is that by editing what would be my first draft of something, we get the structure and argument and quality that you get from writing, but hopefully with a little bit of the spontaneity that you get with the first quick recording of an idea.</p>
<p>And I’m recording this outside largely because otherwise I’d be bored. It really isn’t more complicated than that. And if you listen you can hear parts of the town. The cliffs are just literally just over the town so you can probably hear people and hikers and you can hear the the street—the road—that goes by the town. Especially when you get this high. The obstructions that would usually dampen the sound of traffic you kind of go above them, so …</p>
<p>There’s less there’s less dirt between us and the road than there would be—than there is when we’re at ground level.</p>
<p>But what I want to talk about this time is… I’ve been pondering—I’ve been kind of obsessed with the notion of boredom or specifically the boredom that you get with important topics.</p>
<p>This is not a reaction to anybody in specific or anything particular because it’s kind of an observation on my end as well. Where I… I mean, one of the reasons why I don’t tackle “AI” as a topic, for example, that much any more, even though there’s no shortage of nonsense going on in that arena, is because I covered most of the core arguments that I have to make years ago. like, both in the book I wrote and in the in blog posts and newsletters – I even did a few interviews – and social media</p>
<p>And…</p>
<p>I keep following people, or reading people, reacting to yet another news story about “AI” or yet another argument pro or con “AI” and the same thing with politics, with climate change, and it’s… It <em>is</em> repetitive and it is boring! And it legitimately drains your attention. But…</p>
<p>There’s a tendency—there’s a risk there, that…</p>
<p>There’s a tendency to blame…</p>
<p>Well twofold: our attention has declined over the years that we are unable to focus like our our ancestors used to be able to focus. Or that social media is tapping into something primordial in our minds and that is sapping our ability to focus and read and take in information. Or that the younger generations are unable to or don’t know how to read and have have been let down by the education system but and now are basically feral children that are incapable of functioning within an information society or…</p>
<p>These narratives have a history and there’s reason why we… we keep referring back to them. Dating back to the era of Plato where he had a similar complaint about the youth of his time being unable to remember anything because of the innovation of writing, but what we forget is…</p>
<p>Well first of all…</p>
<p>Sometimes the worry is warranted.</p>
<p>But not in the way that you think. It’s not that…</p>
<p>It’s not an observation of a decline in the youth. It is… We are seeing a decline in the structural stability of the systems we work within and we are grasping onto a symptom of that decline,  which is how it’s expressed in the youth. And we blame the youth or we blame a new technology. But fundamentally it’s the system. It’s the political class that’s letting us down. Or, you know, the class that the political class is serving. And you can see this evolution happening over the past decades in western society, where our political class has let us down.</p>
<p>They are unfathomably—they are completely uninterested in dealing with climate change. They are… They don’t care about… They don’t really care about the economy. They care about how the economy serves the wealthy. They don’t care about actually improving productivity. They don’t care about making industry robust and they don’t care about making society work and last.</p>
<p>And that…</p>
<p>That lack of care. That servile deference to the wealthy and their needs and how their needs trump that of the society they operate within. That’s the thing that we are observing but we don’t have a vocabulary for it. We don’t have a narrative. The decline of the youth today is a narrative that we are familiar with, it’s something that we can relate to, we can grasp and reach for.</p>
<p>[Editors note: another narrative that people quite often reach for is “moral decay” which is basically a variation of the “declining youth” story but with more scope for blaming immigrants and other minorities as well.]</p>
<p>But nobody asks why is the education system in the state it is today? Why do young people today… why haven’t they had the same opportunities to exercise their reading and their skills and their interest? Why have… Why are they operating within an economy where their current skill levels seemed to be accommodated, where their – inexperience in dealing with the information – the information flow, the knowledge and the understanding that is needed to function as a citizen in a democracy. Why why why has it been so easy for them to bypass that?</p>
<p>And not their fault. It’s a system that we’re all operating in and it’s the priorities of that system where what matters is how the wealthy get wealthier and not, how well does work work for society? How well does the economy support our humanity, our existence, our – the longevity of our society?</p>
<p>None of that matters and so things start to fall apart. And because we don’t have a word for the people who manage our society are corrupt and letting everything fall apart… Well, we do…</p>
<p>I need to correct myself. We do. But that word is ‘revolution’ and nobody wants that. Because there’s a reason why…</p>
<p>Revolutions always lead to dark times afterwards.</p>
<p>It’s much better to try and figure out a democratic way of changing things but, to do that we need to understand that the current system is broken and…</p>
<p>I don’t know if we’re willing to actually try that</p>
<p>Anyway… this is – has been an experiment. Testing out recording outside. I am testing the windshields. I am testing the idea of editing this into coherence and making it work as a piece. And also making an experiment with attention span because I get bored with two hour podcast. So I am going to start walking down the cliffs. It’s not actually – they are cliffs but the path up and down is very walkable</p>
<p>It’s a managed hiking path route that winds up, that is quite easy. But I’m going – gotta head back, because it’s going to be dinner time soon and I’m cooking.</p>
<p>So…</p>
<p>Until next time. Hopefully.</p>
<p>We’ll see.</p>
]]></content>
  </entry>
  <entry>
    <title>The old world of tech is dying and the new cannot be born</title>
    <link href="https://www.baldurbjarnason.com/2026/the-old-world-of-tech-is-dying/"/>
    <updated>2026-05-14T14:34:00Z</updated>
    <id>https://www.baldurbjarnason.com/2026/the-old-world-of-tech-is-dying/</id>
    <content type="html"><![CDATA[<p>When I was living in the UK, one of the more common responses people had to me being Icelandic – beyond the strangely common “I hate Björk” refrain – was some comment about Vikings or Norse mythology.</p>
<p>I’m guessing my name helped prompt those. We all have very traditional Icelandic names in my family.</p>
<p>If the comment caught me at the wrong time, I’d occasionally reply in my usual literal-minded way:</p>
<p><em>The Vikings were coastal raiders and Iceland is an island in the middle of bloody nowhere. Once Iceland was settled in 930, we were mostly a nation of farmers and substantially Celtic. We were probably the least ‘Viking’ of all the Nordic countries. Besides, we converted to Christianity in the year 1000, so we were only pagan for a few decades at most. The Icelandic Sagas are a bit like cowboy movies in that they’re the events of a few short years spun into a nation-building mythology that’s well out of proportion to their historical impact.</em></p>
<p>The idea of us being a “Viking nation” has a strong hold on people’s imagination. But we’ve been a Christian culture for a thousand years. Longer if you account for the few settlers like my ancestor Auður Djúpúðga who were Christian a century before the rest of the nation converted.</p>
<p>One of the pitfalls of growing up in a Christian culture, one that sticks with you even when, like me, you’ve been an atheist most of your life, is a tendency towards knee-jerk millenarianist thinking.</p>
<p><em>“This changes everything!”</em></p>
<p>No matter the flavour of Christianity, a core idea baked into every aspect of the religion is that singular revelatory events can fundamentally change the world. There’s the “before”. Then the “event”. Then an “after” that has been completely transformed. In Christianity itself this is usually associated with Christ’s chaotic transit schedule – <em>“He is here! He has left! He is about to arrive again! Now he’s leaving again! But he’s also somehow always been here! And not.”</em> – but the mode of thinking is common throughout literature, philosophy, and storytelling in the Christian west.</p>
<p>When we tell our stories and spout our opinions, we are very prone to statements along the lines of “this changes everything!”.</p>
<p>However, when you study comparative literature you quickly discover that cultures dominated by other religions tend not to have this tendency, at least not to the same extent.</p>
<p>This colours academic thinking as well. Thomas Kuhn’s <a href="https://en.wikipedia.org/wiki/Paradigm_shift"><em>paradigm shift</em></a>, for example, on the face of it frames scientific progress as a series of singular revelatory events that each change an entire field of study in almost one go. But if you dig into the text itself, <em>The Structure of Scientific Revolutions</em>, the process it describes is one where the worldviews of scientists and academics change one by one, where many simply never adopt the new worldview – the one that more cohesively explains what they’ve been observing – and instead stick to preexisting models. Even the most sudden and dramatic paradigm shifts are processes of epistemic diffusion where the old and new models of truth coexist and interact. All of which is to say that Kuhn’s ideas lend themselves to a pluralistic interpretation provided you actually dig into the text itself, and it means that, if you squint, you could make the ideas work with theories of epistemic anarchism such as that of <a href="https://en.wikipedia.org/wiki/Paul_Feyerabend#Thought">Paul Feyerabend</a>.</p>
<p>Kuhn’s paradigm shift is less a revelation and more a cycle where the new contains elements of the old and the old attains elements of the new.</p>
<p>From an individual perspective, switching your worldview or mental model on a problem or topic can <em>feel</em> revelatory. “This changes everything!” But the world hasn’t changed. All that changed is how you understand it.</p>
<p>I say all this because I don’t want people to fall into the pitfall of expecting revolution. But I do want you to be open to the idea that events can change, transform even, our understanding of how things work.</p>
<p>There have been a few moments in my life where singular events changed my worldview without <em>truly</em> changing any of the facts I knew.</p>
<p>They simply triggered a new thought: <em>“Oh, this explains what’s been happening.”</em></p>
<p>The simultaneous realisation that the core argument of my PhD thesis was simply incorrect but that it would also pass easily because I knew the people who were likely to judge it – the theory would play to their biases. I had the choice of continuing to work on what was incorrect and get a PhD or to deliver what I believed to be true and almost certainly not finish the PhD. I still don’t know if I made the right choice. I’m certainly not proud of it.</p>
<p>Walking through the ASDA superstore in Bristol and seeing it for the monument to destruction that it is. Civilisation-scale existential decay as aisles and aisles of branded consumer goods.</p>
<p>Sitting in on a talk on autism diagnoses, one of a series of scientific talks, watching an animation they used as a diagnostic aid, hearing everybody around me laugh as if the shapes on the screen made sense, only then truly understanding myself, and feeling more alone than I have ever felt before or since.</p>
<p>Nothing changed in these moments but in personal terms there was a “before”, the moment, followed by the “after” where everything had changed. The world was the same. But <em>to me</em> the world had transformed.</p>
<h2 id="the-us-technopolistic-hegemony" tabindex="-1">The US technopolistic hegemony <a class="header-anchor" href="https://www.baldurbjarnason.com/2026/the-old-world-of-tech-is-dying/#the-us-technopolistic-hegemony">#</a></h2>
<p>Reading that <a href="https://en.wikipedia.org/wiki/United_States_v._Elcom_Ltd.">Dmitry Sklyarov had been arrested for violating the US Digital Millennium Copyright Act</a> was the moment I first truly understood how the <a href="https://en.wikipedia.org/wiki/Technopoly">technopoly</a> of the US government and the tech industry worked.</p>
<p>There have been many definitions of Neil Postman’s term <em>technopoly</em> but mine is:</p>
<p><em>In a technopoly, the only ideas and thoughts that have social and cultural legitimacy are those that support, are supported by, and are mediated through technology.</em></p>
<p>New ideas in education or healthcare, for example, are evaluated through a technological lens and not whether they educate or heal.</p>
<p>The Sklyarov case was notable for a few reasons:</p>
<ul>
<li>He and ElcomSoft had been working within the preexisting paradigm where ideas were evaluated based on their quality and how well they stood up to discourse. Adobe had shipped ebook DRM software that was flawed as designed and trivially breakable. Exposing these failures was a legitimate research activity.</li>
<li>But ideas in a technopoly aren’t evaluated based on how well they work but in terms of how well they support technology as a culture. That the systems were crap didn’t matter: they were sacrosanct.</li>
<li>A technopoly is both cultural and <em>political</em> because “technology” is both a culture and a self-reinforcing socioeconomic system. Looking at the world through the lens of “technology” leads you to think about the world in terms of technology. Once you accept it as a frame of reference it becomes all-encompassing.</li>
<li><em>By defending the technopoly the US government was signalling to its allies that, as a political and cultural paradigm, the technological mode of thought was not optional.</em> They clearly saw this worldview as integral to the future of the US hegemony.</li>
</ul>
<p>Despite Adobe withdrawing its complaint, the US persisted in pursuing the case because the point it was making was larger than a single company.</p>
<p>That the case ended in acquittal was neither here nor there – although it admittedly mattered to the defendants. What mattered to the rest of us was that it wasn’t enough for the United States that they effectively controlled tech and copyright policy worldwide – most of its allies had followed its example and implemented or were in the process of implementing their own version of the DMCA – they demanded that thought, debate, and meaning conformed as well. The economics and ideology of Technology were – always – intertwined.</p>
<p>Global tech policy and discourse was set and enforced by the US to favour US-based tech companies <em>whether the companies involved wanted it or not.</em></p>
<h2 id="the-global-tech-economy" tabindex="-1">The global tech economy <a class="header-anchor" href="https://www.baldurbjarnason.com/2026/the-old-world-of-tech-is-dying/#the-global-tech-economy">#</a></h2>
<p>Our current globalised tech industry can only exist because of the protectionism and policy uniformity imposed by the United States on its hegemony. That billions of people across dozens of countries work and interact on unified platforms whose laws and regulations are, for all practical purposes, basically that of the US – the policies of end-user nations tend to have a minimal effect on how any of these platforms are run – is an artifact of US dominance.</p>
<p>It’s not because these companies are so fantastic or that their products are so amazing that countries would face local uprisings if they tried to keep them in check. They are, more often than not, about as popular and respected as tobacco or pharmaceutical companies – some of them and their products are polling in terms of public sentiment in ranges similar to child molesters or authoritarian immigration enforcement entities – and their CEOs are some of the more despised public figures in recent history.</p>
<p>Countries can fine the tech industry, up to a point, as that just establishes the cost of doing business. “This is the price list for inflicting societal suffering. Pick the one that suits your business model.” But attempts to genuinely change the rules – beyond just enforcing bullshit compliance regulations that mostly serve to keep local upstart competitors in check – will be blocked, overtly or covertly, by the United States.</p>
<p>Before, when the US system of free-flowing trade was still in full force, much of the pressure was implicit or covert. US diplomats didn’t need to say anything. All that was needed was a tacit understanding that there were rules, that the US set those rules, and that those who followed the rules would benefit from the trade that came with being a part of the global hegemony.</p>
<p>The rules didn’t need to be enforced directly except in extreme cases. Even legislation such as the EU’s GDPR exists mostly to strengthen the existing system by establishing rules and boundaries that only incumbent – mostly US – tech companies have the resources to fully follow, and the system was packed with enough exceptions and loopholes to ensure that when it came to changing corporate behaviour it was more theatre than action.</p>
<p>Regulation that’s defined entirely in terms of the technology it regulates, as opposed to in terms of the effects it has on society or imposing boundaries and limits on the technology itself, is a core component of the technopolistic political and legislative environment.</p>
<p>The game of technology is defined and controlled by the United States of America. Local governments can impose rules that moderate the impact, but genuine limitations on technology are impossible.</p>
<p>Or, they used to be.</p>
<h2 id="the-decline" tabindex="-1">The decline <a class="header-anchor" href="https://www.baldurbjarnason.com/2026/the-old-world-of-tech-is-dying/#the-decline">#</a></h2>
<p>In parallel with the rise of the technopoly over the past couple of decades the US’s global dominance has been declining. The 2007 crash effectively legalising financial fraud – you only get jail time if you defraud the rich – lead to both a decline in the rule of law in the US and an excessively financialised economy. When stock markets and the like are overrepresented they suck the air out of the rest of the economy and make it less competitive.</p>
<p>If you have two economies of equal size and productivity, one has a massive financial sector and billionaires while the other does not, the financialised economy will have less left over to invest in research, education, infrastructure, and healthcare. Over time, it will inevitably fall behind the country with a smaller financial sector because it’s the other things that drive the economy and productivity, not stock market growth.</p>
<p>The US has coasted on the fact that it’s economy is so big that it could <em>afford</em> all the finance and billionaire parasites sucking its blood. At least for a while.</p>
<p>The other force driving the decline is China.</p>
<p>The rise of China and the decline of the rule of law governing finance in the US has added tension to the relationships in the western hegemony. It’s difficult for the EU to negotiate its ongoing “equitable” surrender to US economic policy if that economic policy just amounts to “whatever our oligarchs want to steal this month, they get.”</p>
<p>Somewhat oversimplifying matters, for a while the bargain was that the EU could have protectionist policies for its industries and in exchange they’d mostly acquiesce to US dominance of tech. Escalating abuses, corrupt tech oligarchs, social media manipulation of politics and elections, attempts to directly co-opt education and healthcare industries, and – with “AI” – outright attacks on many of Europe’s biggest industries such as culture and media, have contributed to the fraying of this relationship.</p>
<p>The EU suffers from the double bind of being protectionist of its industries – that’s literally what it’s for – while at the same time explicitly allowing direct attacks on those industries and its single market because the US tech industry – protected by the US and their dominance over the global economy – has broadened the scope of its ambitions to include “everything, everywhere.” If the EU moves to protect their industries they are acting against the technopoly and US hegemony that frames their very understanding of the world. At the same time their very reason for existence is the protection of their local industries and market and allowing their destruction is unthinkable. Neither action is conceivable, hence the double bind. Psychologically, a double bind like this would feel as confusing as being told you have to bite your own arm because the arm misbehaving. Even if it’s correct, even if your arm is <em>indeed</em> misbehaving and biting it is <em>indeed</em> all you can do to stop it, the thought still has the flavour of madness.</p>
<p>Other countries and regions historically allied with the US are in a similar internal conflict.</p>
<p>Voters, labour, and industry increasingly demand checks on the US tech industry. Populist politicians speak out against social media platforms. Tech companies are compared directly to the tobacco industry. Right-wing nationalist calls for “sovereignty” are redefined to include technological autonomy.</p>
<p>But participation in the US-controlled global economy is contingent on putting as few limitations on the excesses of tech as possible, an implicit bargain that has repeatedly been made explicit by their current president.</p>
<p>That same president has, in a way, presented the world with a resolution to the double bind by unceremoniously ending the US hegemony. His trade war partially unravelled the status quo, but it’s his diplomacy or lack thereof that put a period to era of American dominance.</p>
<p>The moment this became obvious was the Iran crisis.</p>
<p><em>“This changes everything!”</em> as they would say.</p>
<h2 id="the-hegemony-ends" tabindex="-1">The hegemony ends <a class="header-anchor" href="https://www.baldurbjarnason.com/2026/the-old-world-of-tech-is-dying/#the-hegemony-ends">#</a></h2>
<p>The closing of the Hormuz strait is a bigger event than portrayed by most mainstream media.</p>
<p>Not only did the US fail to beat a much smaller nation – one that has been operating under crippling economic sanctions for years and plagued with internal turmoil – into submission, they effectively sabotaged the world market, destroyed all of their alliances in Asia, and destabilised the petrodollar bargain all at once.</p>
<p>It is triggering a monumental economic crisis – this much we’ve been told – but a longer-lasting change is how it has accelerated the unravelling of the old world order.</p>
<p>The impact of removing 20% of the world’s oil and gas supply isn’t distributed equally. It’s primarily, at least to begin with, born by countries in Asia, many of whom are historically some of the US’s strongest allies in the region. This is affecting their industries and agriculture and threatens both starvation and economic collapse.</p>
<p>What’s more, they know who’s to blame:</p>
<blockquote>
<p>Nam Aoi, 58, said she can only afford to plant on 19 of her 32 hectares. Until now, she never left farmland barren before.</p>
<p>Some of her neighbors blame the Thai government for not helping enough. Others accuse fertilizer companies of profiteering during an emergency. But standing at her paddy field under the 102-degree heat, sweat beading on her forehead, Nam Aoi said she faults only two men: Trump and Israeli Prime Minister Benjamin Netanyahu.</p>
<p>“Those two held hands and created war,” Nam Aoi said, her voice rising. “Nothing is normal because of them.”</p>
<p><em><a href="https://www.washingtonpost.com/world/2026/05/09/iran-farms-thailand-food/">Iran war is crushing Asia’s farmers, threatening global food supply - The Washington Post</a></em></p>
</blockquote>
<p>The petrodollar bargain where the world’s biggest oil producers agree to only sell oil for dollars – propping up the dollar and forcing countries to buy the currency in excess of what their direct economic relationship to the US would require – has been falling apart in slow motion over the past few years, but this latest crisis simultaneously takes much of the dollar-priced oil directly off the market and weakens the underlying relationship so that the bargain is less likely to hold whenever the strait opens again.</p>
<p>There’s a risk that US allies in Asia crash-transition to alternative energy sources because of the Hormuz crisis, increasing their reliance on China, decreasing their reliance on Gulf oil, reducing their investment in the US dollar, and begin the process of severing themselves from US in terms of trade and diplomacy.</p>
<p>If the crisis spreads to the EU, coming straight at the heels of the Greenland and tariff crises, the pressure within the EU to disentangle itself from the US increases substantially.</p>
<p>These processes now look pretty inevitable. The question is mostly how long it will take.</p>
<p>The US no longer has the power or influence it once did and that changes everything for US tech companies.</p>
<h2 id="the-old-is-dying" tabindex="-1">The old is dying <a class="header-anchor" href="https://www.baldurbjarnason.com/2026/the-old-world-of-tech-is-dying/#the-old-is-dying">#</a></h2>
<p>We’re in a very odd place. We’ve clearly come to an end, of sorts, but it’s an ongoing end – a decline mixed with stepwise collapses – so we don’t get the release that comes with closure or the certainty of knowing your fate.</p>
<p>We’re in a crisis because, as Antonio Gramsci said, “the old is dying and the new cannot be born”.</p>
<p>I have spent much of my career pulling together thoughts on why the software industry behaves the way it behaves. Management is mostly motivated by stock prices, not by delivering valuable software at a profit, but that only explains their drive, not the mechanism they apply to reach for their ambitions.</p>
<p>The mechanism is the application of control. Instead of delivering services and software that unlocks value for their client industries, the software industry has spent the past decade or so trying to <em>control</em> their customers and their client industries. Why make software for hotels when you can control the hotel industry? Why make software for taxis when you can replace the entire industry with software? Instead of trying to entice customers to upgrade their software by making new versions more valuable to them, push them to a subscription service where you control what they get, when they get it, and what value they’re allowed to unlock from their own businesses. Why sell Word when you can sell an <em>Office 365 Cloud Subscription</em>?</p>
<p>The endpoint of this is to replace every industry that remains with generative models. Cut back on actual development of Photoshop, for example, lower development costs and programmer overhead even as you replace the industries that are your customers with automatic image and video generators.</p>
<p>But writing out a detailed analysis of the how, what, why, and where of the software industry’s grasp for control doesn’t really make that much sense when we don’t know how any of it’s going to pan out.</p>
<p>The software industry is built on the foundation provided by an unchallenged US global hegemony. Without it, without the economic force provided by the US dollar, the US having access to all of our data around the globe and their control over payment systems and networking would be less tenable. Today’s software industry would not exist. Without the weight of the US political empire behind it – if Airbnb or Uber had been local startups – much fewer countries in the world would have loosened their regulations and consumer protections to accommodate them to the point where they prospered as they did.</p>
<p>Even as the software industry achieves its ne plus ultra – the unprecedented achievement of controlling all language, media, and office work in the west by turning “AI” into the universal intermediary – the foundation they built on is crumbling.</p>
<p>A big chunk of my livelihood over the past few years has been in helping people understand the software industry on both a micro- and macro-level. Why do software companies behave the way they do? Where should you copy them, and where should you chart a different path? What works and doesn’t work in a software development project? What has worked for me? What has worked for those like me?</p>
<p>Even my writing on “AI” has centred on how things work, not on politics, social impact, education, or culture:</p>
<ul>
<li>How do LLMs affect productivity and quality? (Much like leaded petrol. There’s some potential benefit for individual users with literally decades of expertise, provided nobody else uses LLMs. The results are catastrophic when everybody is using them.)</li>
<li>How do LLMs affect the thinking of those that use them? (Quite a bit, mostly for the worse, but the exact causes and effects are tough to assess.)</li>
<li>Does it work for business or not? (Mostly not. The inherent variability of a generative model means that the benefits will always be mostly hypothetical while the harms are widespread and long-lasting and substantially outweigh the benefits that can be realised.)</li>
</ul>
<p>But “AI”, even more so than any other tech, is contingent on political clout. It’s what forces through data centres, lets companies infringe on copyright and violate software licences, renders them at least temporarily immune to all kinds of consumer protections and wrongful death suits, and results in the political collaboration where “AI” systems provide authoritarian states with “accountability sinks” and algorithmic cover for institutional racism. It’s this political partnership more than anything inherent in the technology that has let the “AI” bubble get this far and change so much.</p>
<p>It’s also what makes analysis so fraught because the US <em>is over</em> as a global power. Getting beat by a cash-starved, under-resourced, extremist state struggling to quell internal unrest is not something that happens to global superpowers. Remember, this isn’t an instance of asymmetric warfare like the Vietnam War where the very strengths of an empire are turned into weaknesses. Iran has big obvious military targets and an organised military that’s still functioning after an all-out attack by the US. It’s state versus state where even a draw means the big state lost. It’s what happens to shit-heel nations who don’t know their time has come, like when the United Kingdom and France rushed headlong into the Suez Crisis.</p>
<p>But the Hormuz crisis also delivered a second mortal blow to the US-controlled globalised market. You can’t remove 20% of the world’s energy output, not to mention a number of other essential commodities, without disastrous consequences. Two weeks would have been bad enough. Two months are a catastrophe. A whole summer would be unimaginable.</p>
<p>Crises happen. As do strategic miscalculations. Even empires make mistakes. What sets the recent crises – Hormuz, tariffs, and Greenland – apart is how the US has used them as an opportunity to deliberately signal the end of its own empire. They first turned on their trading partners, then their allies in Europe, and then they delivered one of this century’s biggest economic and energy crises to their allies in Asia.</p>
<p>Countries that were firmly embedded in the US-controlled global market are now buying oil with yuan and paying Iran for passage with cryptocurrencies. As electricity and fuel rationing begins, everybody knows that the US is to blame: the voters, the media, the politicians, and the wealthy. When people die, their nearest and dearest will blame Americans.</p>
<p>The ground is shifting underneath every industry that was built on the assumption that the US would protect and preserve the globalised status quo. The software industry has shifted its entire value proposition from “we make tools that help you make or save money” to using political clout and the dollar hegemony to capture, control, and loot entire sectors of the various economies of the world. That strategy only works when you’re in charge.</p>
<p>It’s impossible to guess what exactly will happen next to software or tech. All I know is pretty much all of modern software is built on a premise that no longer holds. Even free and open source software is contingent on everybody agreeing to similar policies regarding copyright. Whether tech has enough clout on its own to continue its strategy of capture and control, whether it compromises with local governments to retain its power, whether we’re in for a period of collapse and fragmentation is anybody’s guess. <em>The old world is dying and the new cannot be born.</em></p>
<p>My understanding of how the software industry works is now <em>historical</em>. It does not correspond to our present reality. That history is a legacy that’s useful to understand but only as an antecedent to the present, but if we take it to represent some sort of truth about the new world when it eventually comes into existence we will only be misguided and misled.</p>
<p>The tech industry is shaping up to be one of the most hated industries in our modern era.</p>
<p>It was built on the foundation of empire.</p>
<p>They’ve been taking <em>enormous risks</em> believing they were empires in their own right.</p>
<p>I suspect we’re about to find out whether that’s true or not.</p>
<hr>
<p>If you enjoy systemic-but-practical takes on software development, you might enjoy my book <em>Out of the Software Crisis: Systems-Thinking For Software Projects.</em></p>
<div class="Card Books-book gap-default">
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<div class="Books-book-body">
<p><strong>€35 EUR for PDF and EPUB.</strong></p>
<p>Software projects keep failing, not because we don’t have the right team or tools but because our software development system is broken. <em>Out of the Software Crisis</em> is a guide to fixing your software projects with systems-thinking making them more resilient to change and less likely to fail.</p>
</div>
<p class="Books-book-footer"><a href="https://softwarecrisis.baldurbjarnason.com/" class="buy">Systems-Thinking For Software Projects</a></p>
</div>
]]></content>
  </entry>
  <entry>
    <title>Birds in May</title>
    <link href="https://www.baldurbjarnason.com/notes/photos/birds-in-may-2026/"/>
    <updated>2026-05-14T14:15:00Z</updated>
    <id>https://www.baldurbjarnason.com/notes/photos/birds-in-may-2026/</id>
    <content type="html"><![CDATA[<p>A seagull on a streetlight</p>
<img alt="A black and white photo of a seagull on a streetlight" src="https://www.baldurbjarnason.com/img/KgKjy6y4ET-1536.jpeg" width="1536" height="2048">
<p>A blackbird looking a bit scruffy.</p>
<img alt="A scruffy looking blackbird in a tree. You can see a commercial greenhouse in the background." src="https://www.baldurbjarnason.com/img/uZR-BHk9OP-1536.jpeg" width="1536" height="2048">
<p>Oystercatcher! On a lawn!</p>
<img alt="It's an oystercatcher on a lawn. That being a long-beaked bird that mostly doesn't catch or eat oysters" src="https://www.baldurbjarnason.com/img/4pXIynL4Js-1536.jpeg" width="1536" height="2048">
<img alt="That same oystercatcher, except now it's pecking at something in the grass." src="https://www.baldurbjarnason.com/img/Xf-W___9dU-1536.jpeg" width="1536" height="2048">
<p>This male northern wheatear was hanging out at a construction site this week.</p>
<img alt="A small bird, grey and white with a yellow streak, sitting on a large rock." src="https://www.baldurbjarnason.com/img/6kcf5sU3m0-1536.jpeg" width="1536" height="2048">
<img alt="That same bird but now on a stack of plywood and seen through a chain link fence." src="https://www.baldurbjarnason.com/img/GwLMgCKuKK-1536.jpeg" width="1536" height="2048">
<img alt="The bird is still on the plywood stack but partially obscured by the fence." src="https://www.baldurbjarnason.com/img/8TGYUwWFGs-1536.jpeg" width="1536" height="2048">
<p>A white wagtail doing its thing.</p>
<img alt="A black and white photo of a white wagtail, which is a small black and white bird, on the ground." src="https://www.baldurbjarnason.com/img/_vXEHEvZFz-1536.jpeg" width="1536" height="2048">
<img alt="Another black and white photo of the wagtail where it's keeping an eye on the photographer" src="https://www.baldurbjarnason.com/img/gILLMfsZON-1536.jpeg" width="1536" height="2048">
<img alt="Still suspicious of the photographer." src="https://www.baldurbjarnason.com/img/CQzUHkKGa4-1536.jpeg" width="1536" height="2048">
<img alt="Now this same bird is in a tree, still worrying about the photographer." src="https://www.baldurbjarnason.com/img/Rn8MUWDNut-1536.jpeg" width="1536" height="2048">
<p>Blackbird.</p>
<img alt="A blackbird stands near a path. There's a small bridge ahead. It looks like the blackbird is watching the photographer" src="https://www.baldurbjarnason.com/img/hxuolvn1WR-1536.jpeg" width="1536" height="2048">
<img alt="A black and white photo of a blackbird in a tree. The trees are still bare. The blackbird has worms in its beak." src="https://www.baldurbjarnason.com/img/PghC0PSCL8-2048.jpeg" width="2048" height="1365">
<p>The black-tailed godwit has arrived.</p>
<img alt="This bird is a long-beaked shorebird or wader with an orange head and grey wings. It is watching the photographer" src="https://www.baldurbjarnason.com/img/OvhL-9Puuc-1365.jpeg" width="1365" height="2048">
<img alt="The same godwit in flight." src="https://www.baldurbjarnason.com/img/oIcC4beYrD-2048.jpeg" width="2048" height="1365">
<img alt="It is landing elsewhere, still keeping an eye out for the photographer." src="https://www.baldurbjarnason.com/img/Sla_wcONah-1365.jpeg" width="1365" height="2048">
]]></content>
  </entry>
  <entry>
    <title>A massive Easter sale and a preview of my next book (out late 2026)</title>
    <link href="https://www.baldurbjarnason.com/2026/easter-sale-and-the-toy-factory/"/>
    <updated>2026-03-31T20:16:00Z</updated>
    <id>https://www.baldurbjarnason.com/2026/easter-sale-and-the-toy-factory/</id>
    <content type="html"><![CDATA[<div class="Books-book Card gap-default">
<div class="Books-book-title"><a class="Books-title" href="https://payhip.baldurbjarnason.com/b/QHWZc">Easter 2026 Bundle</a></div>
<div class="Books-book-cover"></div>
<div class="Books-pitch">
<div><p><strong>And a preview of <em>The Magic Toy Factory</em></strong></p><p>Why the software you make and use sucks.</p></div>
</div>
<div class="Books-book-footer"><a href="https://payhip.baldurbjarnason.com/b/QHWZc" class="buy BookPage-bigly"><strong>Get The Ebook bundle for  €49 EUR</strong>, discounted from <del>€134</del> (price includes VAT, where applicable)</a></div>
</div>
<p>It doesn’t seem to matter what process or method you use, whatever benefit there is to your work seems to come out in the wash.</p>
<p>Your job adopts a scrum or agile, buys a fancy <em>SaaS</em> that’s supposed to change everything. It all seems fine for a while, but if you make the mistake of pausing a few months later and reviewing the progress, you usually find that the effect, if any was minimal.</p>
<p>The problems at work are supposed to be fixable. The bargain was supposed to be straightforward:</p>
<ol>
<li>Each issue has a solution.</li>
<li>You adopt the solution, a methodology or app used by others (“industry standard”).</li>
<li>The issue is supposed to go away.</li>
</ol>
<p>Instead it just gets <em>soggier</em>.</p>
<p>Your problem is that you’re just <em>tinkering</em> with the system you’re working in. You can’t actually fix the issue directly. You need to fix the system – the organisation you’re working in.</p>
<p>To fix a system that isn’t working isn’t you don’t add more to it, but instead you stop doing the things that make it worse.</p>
<p>Thankfully, this is usually much less work than adopting a fancy new process or onboarding everybody to a new Software-as-a-Service.</p>
<p>My book, <em>Out of the Software Crisis</em>, focus on the many ways organisations and teams compromise their own work by introducing a number of ideas based on management theory and Systems-Thinking.</p>
<p>This Easter, <em><strong>from 31st of March to the 7th of April</strong></em>, you can get all of my books, including <em>Out of the Software Crisis</em>, as a part of a four book bundle, only available during over the Easter period, at a €85 EUR discount off the full combined price.</p>
<p>It includes:</p>
<ul>
<li><em>Out of the Software Crisis: Systems-Thinking for Software Projects</em>, an opinionated guide to the systems-thinking perspective on software development.</li>
<li><em>The Intelligence Illusion: why generative models are bad for business</em>, an overview of the many risks and pitfalls of using generative models in your business backed by in-depth research.</li>
<li><em>I am Uncluttered (Yellow): doom-prepping web dev through disdain, disrespect, and doing the right thing.</em> (Only available for a limited time through this bundle.)</li>
<li><em>Bad Writing and Other Essays: Twenty-Five Years of Writing About the Digital Transformation.</em> (Only available for a limited time through this bundle.)</li>
</ul>
<h2 id="also-included-a-preview-of-my-upcoming-book" tabindex="-1">Also included: a preview of my upcoming book <a class="header-anchor" href="https://www.baldurbjarnason.com/2026/easter-sale-and-the-toy-factory/#also-included-a-preview-of-my-upcoming-book">#</a></h2>
<p>Included is an 80 page preview of the book currently I’m working on and will hopefully release later this year: <em>The Magic Toy Factory</em> which continues my exploration and explanation of management theories and concepts from a more humanistic process.</p>
<p>Buyers will have the option to join a newsletter where I plan to document my progress with the book.</p>
<p>And when the book is out, anybody who has bought the preview, whether as a part of the bundle or individually, will get the final version for free.</p>
<div class="Books-book Card gap-default">
<div class="Books-book-title"><a class="Books-title" href="https://payhip.baldurbjarnason.com/b/QHWZc">Easter 2026 Bundle</a></div>
<div class="Books-book-cover"></div>
<div class="Books-pitch">
<div><p><strong>And a preview of <em>The Magic Toy Factory</em></strong></p><p>Why the software you make and use sucks.</p></div>
</div>
<div class="Books-book-footer"><a href="https://payhip.baldurbjarnason.com/b/QHWZc" class="buy BookPage-bigly"><strong>Get The Ebook bundle for €49 EUR</strong>, discounted from <del>€134</del> (price includes VAT, where applicable)</a></div>
</div>
<p>If you don’t want to buy the entire bundle but want the preview and want to follow my progress on the book, you can buy just the 80 page preview, in PDF and EPUB, for €29 EUR.</p>
<div class="Books-book Card gap-default">
<div class="Books-book-title"><a class="Books-title" href="https://payhip.baldurbjarnason.com/b/D70UH">Prelude to the Toy Factory</a></div>
<div class="Books-book-cover"></div>
<div class="Books-pitch">
<div><p><strong>A preview of <em>The Magic Toy Factory</em></strong></p><p>Why the software you make and use sucks.</p></div>
</div>
<div class="Books-book-footer"><a href="https://payhip.baldurbjarnason.com/b/D70UH" class="buy BookPage-bigly"><strong>Get The Ebook bundle for €29 EUR</strong> (price includes VAT, where applicable)</a></div>
</div>
]]></content>
  </entry>
  <entry>
    <title>The two worlds of programming: why developers who make the same observations about LLMs come to opposite conclusions</title>
    <link href="https://www.baldurbjarnason.com/2026/the-two-worlds-of-programming/"/>
    <updated>2026-03-16T12:56:30Z</updated>
    <id>https://www.baldurbjarnason.com/2026/the-two-worlds-of-programming/</id>
    <content type="html"><![CDATA[<p><em>“Why are you being so difficult? This could be a good thing for us? How can you be so sure?”</em></p>
<p>This was in late 2000. We were having drinks in the Watershed in Bristol.</p>
<p>For those of you not familiar with the Watershed, it’s an art house cinema, media production centre of excellence, conference venue, houses a diverse community of media practitioners, and a bar.</p>
<p>It was the place in Bristol where people in media hung out. Students, writers, artists, academics, film, TV, and radio people of all stripes, writers, and more have tended to hang out there at various times over the years.</p>
<p>I don’t know what it’s like today – I haven’t been to the UK in about a decade – but I’d be surprised if it didn’t still attract that sort of crowd. At least what’s left of it after the past decade of ruin.</p>
<p>When I was studying my Masters in Interactive Media back in 2000, us interactive media students used to hang out there a lot. During one of these hangouts we ran into a small group of people claiming to be just about to launch a dot-com startup.</p>
<p>This was after the dot-com bubble had crashed. Now, there’s an argument to be made for starting a tech or software company as the market bottoms out. Your competition has been cleared out or is suffering. Funding might be hard but recruitment becomes easier. You also tend to have easier access to all sorts of under-priced infrastructure.</p>
<p>This was not that. This was a group of young guys that were specifically starting a VC-funded startup, in the dot-com vein, and making all the same promises you saw in the dot-com bubble:</p>
<ul>
<li>“We’re going to change the world.”</li>
<li>“Anybody who signs up to work with us is going to be rich.”</li>
<li>“The stock options are going to be worth a fortune.”</li>
<li>“We have an amazing concept.”</li>
<li>“No, I’m not going to tell you unless you sign an NDA.”</li>
</ul>
<p>They sat down at a table full of interactive media students and basically offered us all a job, with stock options and amazing benefits.</p>
<p>I told them to fuck off, although in a not quite so polite language. I’d only been in the UK for a few weeks as an adult by then. I was still speaking with level of bluntness that was even considered a bit much by other Icelanders.</p>
<p>I was the only person at the table who was even just a little bit sceptical. I told the others they’d never hear from these guys again.</p>
<p>“Yes you will,” the startup guys chimed in. They were still at the table.</p>
<p>“If these assholes do contact you, then they’ll ask you to work for free, promising an amazing future.”</p>
<p>“No we won’t.” They were quite all quite drunk.</p>
<p>It was at this point that one of my friends, another Masters student, took me aside and asked me why I was being difficult.</p>
<p>“Because they’re either lying to you, trying to use you, or both.”</p>
<p>“But how can you be sure?”</p>
<p>“Because nothing they’re saying makes sense. None of us will ever hear anything from any of these guys again. Also, weren’t you listening earlier when one of them talked about how he was worried his neighbour was going to plagiarise their idea by listening in on the radio waves generated by the electric wiring in his flat? They don’t sound well.”</p>
<p>“That could be happening! I’m sure I’ve heard about that happening to somebody.”</p>
<p>We never heard from any of them.</p>
<h2 id="people-want-to-believe-in-magic" tabindex="-1">People want to believe in magic <a class="header-anchor" href="https://www.baldurbjarnason.com/2026/the-two-worlds-of-programming/#people-want-to-believe-in-magic">#</a></h2>
<p>You don’t have to spend much time looking into how faith healers and homeopaths operate to realise that their biggest advantage is people’s unrelenting desire to be fooled. They <em>want</em> to believe in magic.</p>
<p>Even when they know better. Even when the people making the promises of magic sound like they are on the verge of a serious breakdown.</p>
<p>But, often as that does happen, I don’t think this is why I was alone at that table in my scepticism. That was more a question of how each of us saw the industry we were a part of.</p>
<p>You see, this was an evening in the middle of a week, where we had gone out after the lectures of the day ended.</p>
<p>That meant the group was disproportionally full-time students with no family and no day job to pay for their studies.</p>
<p>We were people who had only experienced the web, web development and design, and interactive media as this powerful new thing that held endless possibilities.</p>
<p>And me, the resident grump.</p>
<p>The students who were in the Masters because the dot-com they had been working for fell apart were all at home. The people who were studying because they suddenly had spare time after business for their interactive media studios had dried up were at home with their creepy partner who hit on every twenty-year-old in sight.</p>
<p>If you mostly see the positive in your field, vague promises of a grand future sound more compelling. If you’ve seen the dysfunction firsthand but love the industry despite its flaws, you know that the vagueness hides a lot of horrors and grim disappointment.</p>
<p>The promises made by the makers of various coding tools built with Large Language Models (LLMs) tap into this divide.</p>
<p>Two groups within the field of software development look at the same dynamic, the same behaviours, and the same features, but come to diametrically opposite conclusions.</p>
<p>This might seem perplexing but it makes sense once you realise that software development <em>was already divided:</em></p>
<ol>
<li>Those who believe software development and the software industry has been going from strength to strength – “software is eating the world” – and this is just making that happen faster.</li>
<li>Those who believe we’ve been in an incrementally escalating software crisis since at least 2007.</li>
</ol>
<p>Our current software crisis – we’ve had a few – has been ramping up since the US gave up on regulation after the 2007 crash. Instead of reforming and regulating finance, the US decided to let the finance industry take over all of its industries, which hasn’t been great overall, but for software it’s meant that “quality” stopped mattering.</p>
<ul>
<li>Well-funded startups capture market share with subsidised products.</li>
<li>Big tech is a cluster of oligopolies and monopolies.</li>
<li>Internal software projects are driven by their potential effects on stock prices (“UGC! No, Web 2.0! No, blockchain! No, AI!”).</li>
<li>Customer lock-in is a standard tactic.</li>
</ul>
<p>There is little to no downside to poor software quality. The upside of doing the job well is limited compared to tactics like lock-in, dishonest subscription models, and monopolies</p>
<p>Some corners of the software industry are less affected. Others, such as web dev, are more affected.</p>
<p>To illustrate the lack of a downside:</p>
<p>The stock price of the company that caused worldwide outages and economic havoc, Crowdstrike, even in a stock market affected by the Iran war, is higher today than its peak before the outage.</p>
<p>Massive worldwide economic harm, no real consequences.</p>
<p>This has led to a field whose standard practices are a cluster of bad habits and superstition. Web development is now especially notorious for completely disregarding accessibility, user device capabilities, and regulations. Most of the ideas of user-centred design are alien to modern developers. Misconceptions about test-driven development and pair programming abound. Code review is the norm even though it’s largely useless as practised.</p>
<p>When developers say that LLMs make them more productive, you need to keep in mind that <em>this</em> is what they’re automating: dysfunction, tampering as a design strategy, superstition-driven coding, and software whose quality genuinely doesn’t matter, all in an environment where rigour is completely absent.</p>
<p>They <em>are</em> right. LLMs make work that doesn’t matter easier – it’s all monopolies, subscriptions, VCs, and lock-in anyway – in an industry that doesn’t care, where the only thing that’s measured is some bullshit productivity measure that’s completely disconnected from outcomes.</p>
<p>Those who are most vocal today about the dysfunctions of LLM-coding were <em>already warning about the dysfunctions of the software industry well before the “AI” bubble began.</em> The issues that plague the industry predate this particular bubble and many in software have been concerned about them for years.</p>
<p>Equally, most of the people who today are the most vocal about the benefits of LLM-coding were bullish about software development before the bubble. They didn’t see anything wrong with the earlier state of affairs so they don’t see anything wrong with magnifying that dysfunction tenfold.</p>
<p>Hence, a divide in the discourse around LLMs for coding.</p>
<p>Both see Large Language Models as a mechanism for scaling up existing software practices with minimal human observation.</p>
<p>One group thinks this will make the world ten times richer. The other thinks it’ll be a catastrophe.</p>
<p>There is nothing either group can say to the other to shift their opinion because the disagreement is down to a fundamental difference in worldview.</p>
<p>But if you aren’t in tech and are wondering which to trust, just ask yourself: do you really think the chucklefucks of tech have got coding figured out?</p>
<p>Or are they a bunch of self-serving con artists sitting at a table with inveterate optimists spinning a yarn of a grand future?</p>
<hr>
<p>Later this month I’m going to be launching a small project.</p>
<p>The idea is very simple:</p>
<p><em>What if we give people more options for how they can support a newsletter that don’t involve subscription?</em></p>
<p>Instead of charging people $25-50 USD a year for a subscription, I’m planning on offering a short ebook containing advance copies of the next few flagship essays I plan on publishing on the newsletter, along with a few thousand words of essays and arguments that are unlikely to see the light of day elsewhere.</p>
<p>These essays use my personal experience with software development and interactive media as a lens for me to interrogate the evolution of the software industry and what we can learn from what we’ve lost.</p>
<p>Buying it will give you an opportunity to see the essays well before they are published and show you the argument they’re making as a whole in a single ebook.</p>
<p>If that sound like your thing and you aren’t a follower of my newsletter, you might want to subscribe. If you’re already a subscriber, then you have my thanks.</p>
]]></content>
  </entry>
  <entry>
    <title>Ravens in March</title>
    <link href="https://www.baldurbjarnason.com/notes/photos/ravens-in-march-2026/"/>
    <updated>2026-03-16T12:56:00Z</updated>
    <id>https://www.baldurbjarnason.com/notes/photos/ravens-in-march-2026/</id>
    <content type="html"><![CDATA[<p>This raven is picking the meat off a sheep’s jaw. I’m guessing somebody threw their “svið” leftovers out for the ravens to enjoy.</p>
<img alt="" src="https://www.baldurbjarnason.com/img/HSQ5t3sp0f-1536.jpeg" width="1536" height="2048">
<img alt="" src="https://www.baldurbjarnason.com/img/n5ZAwSGMMs-1536.jpeg" width="1536" height="2048">
<img alt="" src="https://www.baldurbjarnason.com/img/5CrLBgpGK6-2048.jpeg" class="PrimaryImage" width="2048" height="1536">
<img alt="" src="https://www.baldurbjarnason.com/img/gtQSlH9HaP-2048.jpeg" class="PrimaryImage" width="2048" height="1365">
<p>Whoops dropped it. If you aren’t familiar with the horror that is the Icelandic cuisine known as <a href="https://en.wikipedia.org/wiki/Svi%C3%B0">“svið”</a>.</p>
<img alt="" src="https://www.baldurbjarnason.com/img/gAAtEGJCsj-2048.jpeg" class="PrimaryImage" width="2048" height="1536">
<p>This time of year, when the ravens congregate in town before scattering into the countryside for the summer, I tend to stalk their regular hangout spots.</p>
<img alt="Two ravens in a tree, glowering at the photographer" src="https://www.baldurbjarnason.com/img/9h-ldJqQAV-1536.jpeg" width="1536" height="2048">
<img alt="A raven on a fence post and another flying behind it" src="https://www.baldurbjarnason.com/img/6MQkmJenQA-2048.jpeg" class="PrimaryImage" width="2048" height="1536">
<img alt="A bunch of ravens hanging out on steps over a fence. The fence is long gone, but the gate and the steps are still there." src="https://www.baldurbjarnason.com/img/R9znwUrwAK-2048.jpeg" class="PrimaryImage" width="2048" height="1536">
<img alt="Five ravens all lined up in a row on a hill." src="https://www.baldurbjarnason.com/img/-B3B8_WE6E-2048.jpeg" class="PrimaryImage" width="2048" height="1536">
<p>This is why I’m thankful my neighbour has placed his bird feeders well out of the reach of the cats.</p>
<img alt="Grása, a very fluffy grey and white cat, sits by a timber fence. Unseen is the bird feeder that hangs well above her reach." src="https://www.baldurbjarnason.com/img/XksPm_rfX3-1365.jpeg" width="1365" height="2048">
<img alt="Another photo of the cat Grása who is relaxing in the sun." src="https://www.baldurbjarnason.com/img/z5UaEYtk24-2048.jpeg" class="PrimaryImage" width="2048" height="1365">
<img alt="Grása has this aura of calm around her that belies the fact that her default mode for dealing with strange cats is 'attempted murder'." src="https://www.baldurbjarnason.com/img/tpZC7TAQfA-1365.jpeg" width="1365" height="2048">
<img alt="These two ginger cat siblings arrived in the neighbourhood a year ago. They live across the street from the house with the bird feeder." src="https://www.baldurbjarnason.com/img/t2CID3N_d4-2048.jpeg" class="PrimaryImage" width="2048" height="1365">
<img alt="This black cat also lives in this same street and is also coming out for a longing gaze at the birds feeding." src="https://www.baldurbjarnason.com/img/sPsgoFXUr8-2048.jpeg" class="PrimaryImage" width="2048" height="1365">
]]></content>
  </entry>
  <entry>
    <title>Objects not data: a photography and illustration print experiment</title>
    <link href="https://www.baldurbjarnason.com/2026/objects-not-data-art-prints/"/>
    <updated>2026-02-27T13:10:00Z</updated>
    <id>https://www.baldurbjarnason.com/2026/objects-not-data-art-prints/</id>
    <content type="html"><![CDATA[<blockquote>
<p>Information Wants To Be Free. Information also wants to be expensive.</p>
<p>—Stewart Brand</p>
</blockquote>
<p>There is a tension inherent in the economic nature of <em>data</em>.</p>
<p>Data can be endlessly copied. That’s its nature. This will drive down the value of data under pretty much every economic system that’s realistically available to us. That’s what the anthropomorphic “wants to be free” means.</p>
<p>Data is now also our primary representation of most work of value. Designs, writing, images, and illustrations exist because we make them. That takes work, experience, education, training, and – quite often – equipment. That’s why “it” also wants to be expensive. Its very existence has a cost that won’t disappear just because you can make copies.</p>
<p>This tension has existed since the early days of the internet.</p>
<p>The balance on the scale between “free” and “expensive” has steadily been shifting towards free, but people have also been reevaluating their relationship with digital media for very good reasons.</p>
<p>How often have you lost access to something you loved because the only copy you had was behind a cloud or streaming subscription somewhere?</p>
<p>You pay companies and people monthly subscriptions for years, but what are you left with when it’s all said and done?</p>
<p>Nothing.</p>
<p>Information – digital media – wants to be expensive because the expressions they carry are inherently valuable.</p>
<p>But it’s also not always a great deal – especially subscriptions where the only thing you’re getting for your money is ephemeral access.</p>
<p>We’d all like something more robust that <em>feels</em> worthwhile and personally valuable.</p>
<p>Standardised files, such as ebooks, are a useful compromise for both the creator and the reader – they genuinely do work – but given the declining state of many things digital, I think many of us want things we can hold in our hands.</p>
<p>At least as an option.</p>
<p>This is why I’ve been exploring various forms of print to complement the digital ebooks business. I’ve started with print books – and I have more print ideas I’d like to explore – but I don’t think it should end there.</p>
<p><em>Over the next few months, I’ll be experimenting with selling art and photography prints as a way to fund my work on this newsletter and as a publisher.</em></p>
<p>I take quite a few photographs. Brynhildur Jenný both <a href="https://bsky.app/profile/uglyreykjavik.bsky.social">photographs</a> and <a href="https://www.baldurbjarnason.com/books/kotturinn-og-eg/">illustrates</a>.</p>
<p>There are quite a few professional art print services around the world, that offer high quality prints on archival – gallery quality – paper.</p>
<p>I’m planning on offering a series of prints – a selection of our work – using <a href="https://www.theprintspace.co.uk/"><em>theprintspace</em></a> a service that offers Giclée art printing in the US, UK, and EU.</p>
<p>Now, unfortunately, I won’t be able to offer these prints in the EU. While Iceland has a manageable VAT thresholds for individuals and small businesses, if you’re a non-EU business using a drop-shipping service based in the EU, you are obliged to handle VAT on the shipment no matter how low your volume is. As far as I can tell, that requires a lot of additional tax bureaucracy for me both here in Iceland and in the EU which won’t be worthwhile if the prints only sell a few occasional copies.</p>
<p>Figuring out an optimal solution to that bureaucratic problem is not going to be straightforward. I’d like to sort this out over the next few months, but in the meantime I won’t be able to ship to the EU.</p>
<p>(It might be genuinely simpler for me to invest in a Giclée-quality printer and ship EU orders from Iceland, but I’m not willing to go that far yet.)</p>
<p>For the first batch of prints, I’ve selected four pictures. Each is available in two sizes, each size is limited to 25 copies each picture, and they all come with a certificate of authenticity.</p>
<ul>
<li>30cm x 40cm / 11.8&quot; x 15.8&quot; for €75 EUR</li>
<li>18cm x 24cm / 7.1&quot; x 9.4&quot; for €45.00 EUR</li>
</ul>
<p>My primary approach for choosing the sizes was to use the obligatory Nordic heuristic: <em>what seems to be easily available in Ikea?</em></p>
<p>So, instead of overthinking the print sizes, I just went with some of the common photo frame sizes on offer in Ikea and Jysk, which is also the reason why I’m focusing on smaller print sizes to begin with.</p>
<p>This might be an issue for people in the US (not sure what the standard sizes are there) and if the only place in your city that has frames that fit turns out to be Ikea, then I apologise in advance.</p>
<p>I’m open to other print sizes in future experiments. <a href="https://www.baldurbjarnason.commailto:bb@baldurbjarnason.com">Let me know if you have specific suggestions.</a></p>
<p>I chose two recent photos I took here in Hveragerði. Brynhildur Jenný chose two pictures of hers.</p>
<ul>
<li><a href="https://payhip.com/b/G0Tm8"><em>Horses in the Mist</em></a></li>
<li><a href="https://payhip.baldurbjarnason.com/b/81RCw"><em>The Raven and the Church</em></a></li>
<li><a href="https://payhip.baldurbjarnason.com/b/oD4f9"><em>The Cat and I and the Flower</em></a></li>
<li><a href="https://payhip.baldurbjarnason.com/b/zp6m4"><em>Strange Little Hut (Ugly Reykjavík)</em></a></li>
</ul>
<p>I’ve outlined each photo in more detail below.</p>
<p>We’re very much open to suggestions as well, so if there are any specific photos of mine or from the <a href="https://bsky.app/profile/uglyreykjavik.bsky.social">Ugly Reykjavík project</a> that you’d like a print of, just <a href="https://www.baldurbjarnason.commailto:bb@baldurbjarnason.com">let me know.</a></p>
<p>Shipping costs are <em>per order</em> (not per print) and if you order more than one print at a time, you’ll get a 25% discount on the second and subsequent prints.</p>
<p>Let me know what you think.</p>
<h2 id="horses-in-the-mist" tabindex="-1"><a href="https://payhip.baldurbjarnason.com/b/G0Tm8">Horses in the Mist</a> <a class="header-anchor" href="https://www.baldurbjarnason.com/2026/objects-not-data-art-prints/#horses-in-the-mist">#</a></h2>
<p>The geothermal areas around the town of Hveragerði emit quite a bit of steam. When the air is cold and the wind is still, that steam combines with the mist to sit over the landscape like a fog.</p>
<p>We also have horses.</p>
<p>It is a Giclée art print on Hahnemühle Pearl, a highly durable paper with a satin finish whose natural white colour and resin coating lends depth to the photograph.</p>
<p><a href="https://payhip.baldurbjarnason.com/b/G0Tm8"><img alt="Horses wrapped in steam and fog on a frosty pasture" src="https://www.baldurbjarnason.com/img/Zl3YQ3qd2h-1536.jpeg" width="1536" height="2048"></a></p>
<h2 id="the-raven-and-the-church" tabindex="-1"><a href="https://payhip.baldurbjarnason.com/b/81RCw">The Raven and the Church</a> <a class="header-anchor" href="https://www.baldurbjarnason.com/2026/objects-not-data-art-prints/#the-raven-and-the-church">#</a></h2>
<p>Ravens often seek out tall places to better observe their surroundings. In many small towns, that’s going to be the local church. This black and white photo captures a raven perching on the Hveragerði town church steeple.</p>
<p>Again, a Giclée print on Hahnemühle Pearl.</p>
<p><a href="https://payhip.baldurbjarnason.com/b/81RCw"><img alt="A black and white photo of a raven perched on a building." src="https://www.baldurbjarnason.com/img/QrgBAQ9vUx-1536.jpeg" width="1536" height="2048"></a></p>
<h2 id="strange-little-hut-ugly-reykjavik" tabindex="-1"><a href="https://payhip.baldurbjarnason.com/b/zp6m4">Strange Little Hut (Ugly Reykjavík)</a> <a class="header-anchor" href="https://www.baldurbjarnason.com/2026/objects-not-data-art-prints/#strange-little-hut-ugly-reykjavik">#</a></h2>
<p>The Ugly Reykjavík photography project by Brynhildur Jenný aims to document the parts of Reykjavík and Iceland as experienced by those that live there—the parts of the country that are less classically picturesque and show us an Iceland that has been lived in, as seen by those living in it.</p>
<p>The photo is a Giclée art print, using Hahnemühle Pearl paper produced and delivered by a professional art printing service.</p>
<p><a href="https://payhip.baldurbjarnason.com/b/zp6m4"><img alt="A strange little rusty hut" src="https://www.baldurbjarnason.com/img/cWt8w_kY8x-1536.jpeg" width="1536" height="2048"></a></p>
<h2 id="the-cat-and-i-and-the-flower" tabindex="-1"><a href="https://payhip.baldurbjarnason.com/b/oD4f9">The Cat and I and the Flower</a> <a class="header-anchor" href="https://www.baldurbjarnason.com/2026/objects-not-data-art-prints/#the-cat-and-i-and-the-flower">#</a></h2>
<p>An illustration from the Icelandic graphic novel The Cat and I by Brynhildur Jenný, which is a touching autobiographical story about a girl growing up in nineties Iceland and her cat.</p>
<p>The illustration is a Giclée print on Hahnemühle Bamboo. The paper’s matt texture and off-white warm tones was chosen as it best represented the paper Brynhildur Jenný used when she drew the illustration by hand, in order to create a final print that most accurately reflected the original.</p>
<div class="PrimaryImage"><a href="https://payhip.baldurbjarnason.com/b/oD4f9" class="PrimaryImage"><img alt="An illustration of a cat and a girl sitting together and looking at a flower." src="https://www.baldurbjarnason.com/img/GVy2ReNohZ-2048.jpeg" class="PrimaryImage" width="2048" height="1638"></a></div>
]]></content>
  </entry>
  <entry>
    <title>Birds in February</title>
    <link href="https://www.baldurbjarnason.com/notes/photos/birds-in-february-2026/"/>
    <updated>2026-02-09T11:45:00Z</updated>
    <id>https://www.baldurbjarnason.com/notes/photos/birds-in-february-2026/</id>
    <content type="html"><![CDATA[<p>A couple of simple bird shots. Redcaps and a starling.</p>
<img alt="Redcaps, a tiny bird, in a tree. Only one is in focus." src="https://www.baldurbjarnason.com/img/St-Tk1M8XL-1536.jpeg" width="1536" height="2048">
<img alt="A starling in a tree looking down at the photographer." src="https://www.baldurbjarnason.com/img/gTwWKn17ja-1536.jpeg" width="1536" height="2048">
<p>The ravens are still in town.</p>
<img alt="A raven in flight against a bright sky" src="https://www.baldurbjarnason.com/img/DbXDFJJbdQ-1536.jpeg" width="1536" height="2048">
<img alt="A raven posing on a telecommunications mast" src="https://www.baldurbjarnason.com/img/lHaI1XHeVl-1536.jpeg" width="1536" height="2048">
<img alt="A raven flying over the town Hveragerði" src="https://www.baldurbjarnason.com/img/UjtOV0joJ5-2048.jpeg" class="PrimaryImage" width="2048" height="1536">
]]></content>
  </entry>
  <entry>
    <title>Have I hardened against LLMs?</title>
    <link href="https://www.baldurbjarnason.com/2026/have-i-hardened-against-ai/"/>
    <updated>2026-02-09T11:24:00Z</updated>
    <id>https://www.baldurbjarnason.com/2026/have-i-hardened-against-ai/</id>
    <content type="html"><![CDATA[<p>The other day a reader of <a href="https://illusion.baldurbjarnason.com/"><em>The Intelligence Illusion</em></a> sent me a short email that outlined their takeaway from the book and ended it with a simple question.</p>
<p>Slightly paraphrased:</p>
<blockquote>
<p>Would it be correct to say that your views on LLM’s/Transformers have hardened since you wrote your book?</p>
</blockquote>
<p>My answer is below.</p>
<hr>
<p>That’s a good question.</p>
<p>My views on the technology itself are roughly the same as when I published the first edition of the book. The downside pretty comprehensively outweighs the upside and, to echo your own summary, the technology is only narrowly useful for a very specific set of use cases, and even then you need to take care.</p>
<p>That’s still my position. What’s hardened are my views on the tech industry, software, management, and influential members of the software developer ecosystem.</p>
<p>This will make more sense if I explain to you what the past few years have been like from my perspective, starting with the time I first began to research this new wave of generative models.</p>
<p>I’ve been somewhat interested in “AI” since my career began. I got my start in multimedia around 2000 which, along with that sector being somewhat adjacent to games development, meant I’ve been keeping an eye on “AI” and procedural media generation since the early 2000s, albeit always from an interactivity and media perspective. I’ve long since lost most of the books on the topic I had back then – except for a copy of Norvig’s <em>Paradigms of Artificial Intelligence Programming</em> because it used Common LISP, which always seemed fun to keep around – but it meant that it’s usually been fairly straightforward for me to dip in once in a while and catch up on what the field has been up to.</p>
<p>I’ve generally made sure to be in the position where if I had to use current tech for something, I’d know enough to be dangerous.</p>
<p>So I wasn’t coming at generative models entirely unfamiliar with the field.</p>
<p>What I discovered during my research appalled me. This was a piece of technology that obviously and seemingly deliberately played into and supported some of the worst elements of the human psyche:</p>
<ul>
<li>Deceptive design – playing into anthropomorphism and confirmation biases.</li>
<li>Political extremism – that is, an all-out assault on labour – baked into the product at the foundation.</li>
<li>An outright attack on education. Instead of trying to help schools, colleges, and universities navigate issues introduced by the technology, every vendor seemed (and seems) to be intent on making it <em>impossible</em> to manage to the point where it’s now outright threatening our education systems as a whole.</li>
<li>So much Child Sexual Assault Material (CSAM). Way more than anybody could reasonably expect. It’s all over the training datasets. It keeps happening in the output. In at least a couple of cases that seems to be the point. The vendor seems to <em>want</em> the model to be able to generate these materials.</li>
<li>Nondeterministic behaviour, making the tech unusable from a modern management perspective.</li>
<li>Insecure on every level.</li>
<li>Grossly mediocre output.</li>
<li>Incredibly poor quality overall once you account for security, accuracy, and fabrications.</li>
<li>Vendors persistently and deliberately ignoring the law, leading to numerous lawsuits, some of which might have liability implications for many end users. (See Grok. Even if you have the sociopathic stomach to look past the ethical and moral implications, the prevalence of CSAM on many of these platforms exposes anybody who uses them to liability.)</li>
</ul>
<p>And more. So much more.</p>
<p>I lay much of this out in the book. Some of it got a chapter. Some of it only got a paragraph. But the book overall lays out the risks of the tech from the perspective of modern management and software design and, towards the end, I describe ChatGPT as “the opposite of good software”. As in, it’s not just bad software, it’s as if they wrote up an inventory of what makes software good and then decided for each and every entry in the list to implement the exact opposite in their app and service design.</p>
<p>That already isn’t a ‘soft’ view on the technology by any measure.</p>
<p>But, as I wrote the book, I always tried to adopt as neutral a tone as I could. CSAM is obviously bad so I shouldn’t have to tell people that it is very bad. Frequent fabrications in knowledge work, research, and education is very bad so pointing out that it’s happening should be enough, I shouldn’t have to hammer home <em>why</em> any of it is bad. Nor should I have to adopt a vulgar tone to make it obvious to the reader that this is all pretty thoroughly bad.</p>
<p>Many of those who read the book and saw the inventory of technical flaws and issues came to roughly the same conclusion you did. In short, roughly paraphrasing you (if you don’t mind), they decided that:</p>
<blockquote>
<p>This tech is only useful for a couple of very specific use cases that I care about and even then only if I don’t mind the inevitable faults.</p>
</blockquote>
<p>Add to that the caveat that this only applies if <em>the current price point is maintained</em> which is not going to be true in the long term.</p>
<p>This is a rational conclusion to arrive at after reading an inventory of harms that includes, among other things, hard-to-detect fabrications and massive software insecurity. This is what I had hoped for when I wrote the book. I don’t expect everybody to be in a position where they can unilaterally reject the use of the tech – many people can’t risk their livelihoods and I’m not one to judge people if that’s their only option for putting food on the table – but I had hoped that people would come away from the book and the essays in my newsletter with about that level of understanding of the implications.</p>
<p>Personally, my personal conclusion was that the only usable tool to come out of this all are the speech recognition and transcription models. They aren’t great, you need to edit the output a lot to make it usable, but they reduce the work of transcribing audio by a substantial margin <em>as long as you don’t use OpenAI’s Whisper</em>. <strong><a href="https://www.baldurbjarnason.com/2024/openai-whisper-risks/">OpenAI’s model fabricates in its transcripts.</a></strong> To this day, it still regularly makes shit up in its transcripts. That it’s being adopted in healthcare around the world should terrify you. That it’s being sold into these sensitive industries <em>by</em> OpenAI even though they seem well-aware of these flaws should make you question the integrity of the people running that company.</p>
<p>So, transcription models: save money, pretty much the only useful thing (IMO) to come out of this, as long as you don’t use OpenAI’s models. There are quite a few alternatives to their models.</p>
<p>Your overall take on the book is, roughly, what I had hoped for from a reader when I wrote it. I’m very grateful to hear that.</p>
<p>What I hadn’t expected was the reaction of the tech industry, managers, and most journalists – the people driving online discourse in the field – that read my book or my newsletter essays.</p>
<p>It’s as if I outlined the risks of using lead paint in consumer products. In the outline would be a list – written in neutral language to emphasise that this is institutionally and economically serious writing and not punditry “serious” writing – and it would be almost entirely cons.</p>
<p>Some of the “cons” would include, for example, lead paint literally making people so sick they die and that it’s children who are most at risk.</p>
<p>But one of the very few “pros” in this hypothetical list would be a short note, included to show that I’d done my homework, saying that using lead paint might make production a few percentage points cheaper, but that this claim came directly from vendors and there would be good reason to be sceptical.</p>
<p>Then imagine that most of the reactions to the “the risks of lead paint” piece went: “Five per cent cheaper, you say? Interesting. I need to look at using lead paint in our products.”</p>
<p>Imagine that much of the subsequent discourse then showed a complete disregard of the harms, the cost in terms of human misery, and instead use the piece as an argument for increasing the use of lead paint just “more safely because now we’re aware of the issues and the hazards”.</p>
<p>Imagine what that would feel like as a writer of that piece?</p>
<p>The more I wrote about generative models, the more appalled I became at the response from the industry, to both my writing and that of others actively highlighting the risks. Few people who have any influence in tech and software seem to care about the harms, the political manipulation, the outright sabotage of education, the association with extremism, or the <em>literal</em> child abuse.</p>
<p>They <em>say</em> they care, but then continue to support and promote the CSAM machine, the platform that’s insecure by design, the software that’s so psychologically manipulative it’s driven people to suicide, and the generative output that is unsafe and filled with fabrications at every level.</p>
<p>They say “oh, no” even as they keep pressing the “do horrible things with a machine made by horrible people” button again and again, just because they think it’ll boost their productivity by 5-10%.</p>
<p>Every time I lay out the harms in straightforward and neutral language, the response from most in the industry – management especially – has been to ignore the harms and focus either on the hypothetical unproven benefits advertised by “AI” vendors or the incremental subjective benefits they <em>think</em> they’re getting and would be minor even if they were true. When I explain in unambiguous terms what those harms <em>mean</em>, I get labelled an extremist with hardline views.</p>
<p>Tech companies have done everything they can to maximise the potential harms of generative models because in doing so they think they’re maximising their own personal benefit. More use equals more profit. But it also equals more harm.</p>
<p>When I point this out, I get dismissed as a crank. I’m being “unreasonable”.</p>
<p>I am so utterly disappointed in my peers, especially those in web development which is a field that has gone for LLMs in a big way.</p>
<p>So my views on LLMs or Transformers haven’t hardened. They’re roughly the same as they were four years ago. The tech is what it is and while the exact details vary from version to version, its fundamental issues remain roughly the same as they were four years ago.</p>
<p>But my views on the tech industry and my peers in the industry have changed. They’ve changed dramatically.</p>
<p>I never had high expectations of this industry, but it still managed to disappoint me.</p>
]]></content>
  </entry>
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